After years of listening to the music and waiting for this show to reappear on the stage, I finally got my chance to go see it, and it was even better than expected.
Hadestown is a retelling of the myth of Orpheus and Eurydice, in which Orpheus follows Eurydice to the underworld in an effort to rescue her. The play mirrors this with Hades and Persephone’s own relationship and relates the tale through Hermes as a connection with both parties. The setting is depression era, New Orleans with a little bit of steam punk and the music is a mix of jazz and folk and will stay in your head for days.
Cast
The show I saw had a slightly different billing due to covers, but you couldn’t tell watching it (aside from the characters looking a little different than the pictures). Everyone was on form, and all seemed to be having a great time on stage. To me, Hermes and Hades were particular standouts, bringing a lot of character to the roles outside of the songs and really capturing the stage during their parts. A particularly strong element to the play was how well the cast as a whole encapsulated their particular roles in relation to one another – you felt that these were mortals going up against Gods while watching.
Songs
Being more familiar with the recordings, I was particularly interested in seeing how the songs worked with a different cast, particularly with Hermes who sits at the very centre of the show. Luckily, everything fitted perfectly into place and, if anything, the live music and performance brought a whole new level to the songs. Seeing the songs performed with the choreography levitated the meaning and the performers brought a lot of nuance and emotion to their parts. Hermes and The Fates in particular really channelled the music and I had great fun watching them deliver it. A huge shout-out goes to the musicians on stage, however – I loved seeing them on stage and it actually helped bring me more into the setting and atmosphere.
Staging/Lighting
The theatre we were in had a relatively small stage, but that worked in the shows favour, creating a more intimate performance with the audience. Given the show has a few fourth wall breaks, this worked really well. I loved how each part of the stage was used, nothing felt gimmicky, and only added to the overall impact of what you were seeing. I really enjoyed how the lighting was used, and it almost felt like a character in its own right at parts – transforming from soft to sharp to reflect the setting, differing colours to highlight characters, and the use of candles and lamps. It was well thought out and paid off in the long run.
It was a fantastic show from start to finish and definitely deserved the standing ovation at the end.